简体  |   繁体  |   English  |  

   首页 >  新闻发布 >  税务新闻



  On Monday, the influential design gallery the Future Perfect will open Casa Perfect New York, a West Village brownstone furnished with emerging contemporary design — one of the most exciting retail events in the field since Murray Moss opened his namesake store in 1994. The 19th-century house was formerly owned by the financier Nathaniel Rothschild who, in 2001, undertook a dramatic renovation of the space with the British architect David Chipperfield, who installed an angular oak staircase that zigzags up through the front third of the Italianate structure.

  In the words of owner David Alhadeff, the bold move to open a gallery in a townhouse is a response to the “increasing irrelevance of traditional retail.” He adds, “It’s more and more difficult to get people out from behind their computers, but this kind of experience is what is working now.” Alhadeff had the idea for Casa Perfect New York almost immediately after he opened Casa Perfect in Los Angeles in 2017. (The current West Coast Casa Perfect is a Beverly Hills estate formerly owned by Elvis Presley.) Showing a roster of exciting young designers in a residential space has appealed to collectors who spend time lounging around the house as if they were at the home of a friend. “I’ve invited you over to hang out, and yeah, you can shop if you want,” says Alhadeff, who exudes a laid-back but infectious enthusiasm.

  The Future Perfect, which opened in Williamsburg in 2003 and championed then-unknown designers Lindsey Adelman, Jason Miller and Fort Standard, has grown steadily over the last 16 years. In 2008, Alhadeff moved the gallery to Great Jones Street and over the last decade has expanded his program to include European designers, such as Dimore Studio and Marta Sala Editions. At a time when many retail businesses are scaling back, Alhadeff sees opportunities to expand. The new home is roughly twice the size of the current Great Jones Street space, a testament to the strength of the current market for contemporary design and its importance to the city. Casa Perfect New York will open by appointment starting Monday, March 11. — TOM DELAVAN

  Monkeys usually travel in troops, but there is one who used to visit Caroline Weller’s home in Jaipur on his own. (The monkey and Weller’s pug, Rosie, would sit nose to nose on either side of the mosquito door, equally intrigued.) Though he was just visiting, the monkey actually fits in perfectly there: Weller’s new collection of table linens, which will launch on her website on March 8 and on Moda Operandi later in the month, features flora and fauna in her signature happy hues. “I felt no one else was really doing our kinds of prints for the home, and they seemed to really lend themselves to it,” says the designer by phone from Jaipur. “I always have animals and birds and plants on my prints, and they seemed to just be crying out to creep onto the table.”

  And creep they did, beginning with two patterns on tablecloths, place mats, napkins and dish towels: the cotton canvas Full Bloom — a looping, oversize Rajasthani floral — and the cotton linen Magical Animal, a surreal Jungle Book scene of monkeys and birds with dancing bananas along the border. Weller says she liked the idea of it being “a Bacchanalian revelry” of the animals, “almost like they had this secret life when we weren’t looking, having their own dinner party.”

  For Weller, extending her six-year-old clothing company, which is produced by local craftsmen, into home goods was always part of the plan. But, she says, T’s recent feature on her home in the Rajasthani capital somewhat helped speed up the process. “I had a lot of emails asking ‘where’d you get this?’ and ‘are you selling that fabric?’” she says. Later this year, she will continue with hand-painted ceramics and bedding in her same signature patterns and hues. For summer, she will add a palm leaf print to the table linen collection, and she’s considering adapting a rhododendron and flamingo pattern from her summer clothing collection into either place mats or dishes. As she puts it, “Everyone loves flamingos!” banjanan.com — CHLOE MALLE

  At the start of each year, the furniture designers Ben Bloomstein and Aaron Aujla, who together run the New York-based studio Green River Project, sit down to discuss the theme or material they want to explore in each of their four seasonal collections. Last year, they landed on the idea of ’60s-era Indian railway cars, an inspiration that resulted in a suite of boxy wood-laminate seating; another shared preoccupation was anodized aluminum, which they later used across a collection of armchairs and tables with beveled corners reminiscent of the Chrysler Building. This year, they decided to experiment with built-in storage units — and to animate the 11 resulting one-of-a-kind pieces, which range from a hand-carved black cherry-wood bookshelf to an industrial metal medicine cabinet, they enlisted their circle of friends to fill them with objects and artworks from their worlds.

  The gallerist Suzanne Demisch provided a collection of spider plants grown from cuttings cultivated by Lee Krasner, which will populate a coffee-stained Douglas fir cabinet. The glassware company Asp and Hand supplied a carafe and tumblers for which Bloomstein and Aujla created a custom-fitted multi-shelf unit, also from Douglas fir. And for the furniture dealer Michael Bargo, whose bathrooms Bloomstein and Aujla have always admired, they created a stainless steel medicine cabinet, which Bargo has filled with objects ranging from a postcard of Pablo Picasso to a tortoiseshell toothbrush. The fashion designer Emily Adams Bode, with whom the designers collaborate regularly, recreated her most recent clothing collection in miniature (one shirt is roughly the size of a postage stamp) to animate her simple shelf. Other collaborators include the architecture firm Charlap Hyman & Herrero, the artist Nick Sethi and the New York-based Karma gallery, with whom Aujla has shown work. (Before they founded Green River Project in 2017, Bloomstein and Aujla both had art practices and also worked as assistants to the artists Robert Gober and Nate Lowman, respectively.) The collection will launch tomorrow at Green River Project’s storefront in the East Village with the exhibition “Cabinet Show,” and each piece will be for sale. Although, adds Aujla, “it will be price on request — because there are so many weird artifacts.” “Cabinet Show” opens on Saturday, March 9 at 6 p.m. at Green River Project, 204 East Seventh Street, greenriverprojectllc.com — ALICE NEWELL-HANSON

  Barely a year after its stateside debut at New York Fashion Week in 2018, the Hungarian ready-to-wear label Nanushka, which specializes in elevated wardrobe staples in subtle ’70s hues, has garnered a loyal following for its textural, artful pieces (belted camel coats, jewel-tone satin dresses). Now, a new collaboration with the Budapest-based potter Natalia Nemes of Noha Studio, which will launch on March 18, sees designer Sandra Sandor extending her brand’s signature palette to delicate earthenware.

  Named Nanoha, a compound of Nanushka and Noha, the collection features six styles of ceramic vessel created by Sandor at one of Nemes’s two studios using Japanese raku firing. The technique, which dates back to 16th-century Kyoto, involves removing pieces from the kiln while they are at their maximum temperature and allows for glaze to be whimsically applied by dipping, pouring and dripping, resulting in vibrant, unexpected color combinations. Finished in crème brûlée browns with flashes of bright orange and iridescent turquoise, Nanoha’s tumblers, matcha bowls and vases certainly embody this range: One latte cup has a creamy pink glaze speckled with emerald green, while a deep brown espresso mug has a lip that shimmers like mother-of-pearl. “It started as a hobby, an evening or weekend activity where I was able to let the steam out and relax,” says Sandor, who was introduced to pottery by Nemes. “There is always an anticipation to how each piece turns out. It has an element of surprise.” nanushka.com — COCO ROMACK



  九龙图库900tif“【就】【是】【这】【里】【了】【吧】。” 【何】【飞】【刚】【下】【飞】【机】,【就】【来】【到】【了】【会】【场】【附】【近】【的】【宾】【馆】【里】。 【这】【是】【一】【个】【五】【星】【级】【的】【宾】【馆】,【当】【何】【飞】【到】【达】【的】【时】【候】,【剧】【组】【的】【其】【他】【人】【员】【也】【到】【齐】【了】。 【何】【飞】【作】【为】【主】【演】【和】【总】【导】【演】【兼】【制】【片】【人】,【是】【肯】【定】【要】【在】【的】。【还】【有】【女】【主】【角】【刘】【念】,【两】【人】【都】【被】【提】【了】【最】【佳】【男】【女】【主】,【导】【演】【何】【飞】【也】【被】【提】【了】【最】【佳】【导】【演】,【包】【括】【最】【佳】【剧】【本】。 【只】【是】【何】【飞】【一】【个】

  【五】【天】【的】【时】【间】,【鸿】【羽】【还】【是】【小】【瞧】【了】【罪】【恶】【之】【都】【距】【离】【鬼】【域】【之】【间】【的】【路】【程】,【追】【风】【的】【速】【度】【已】【经】【很】【快】【了】,【然】【而】【前】【两】【天】【一】【段】【路】【程】【后】,【就】【是】【密】【林】,【速】【度】【完】【全】【提】【不】【上】【去】,【鸿】【羽】【一】【咬】【牙】,【购】【买】【了】【一】【个】【小】【型】【飞】【船】。 【通】【体】【银】【白】【色】,【呈】【三】【角】【形】,【被】【系】【统】【改】【造】【了】【一】【番】,【吸】【收】【周】【围】【的】【各】【系】【魔】【法】【元】【素】【产】【生】【动】【力】,【可】【以】【抵】【御】【六】【阶】【及】【以】【下】【魔】【法】【师】【的】【攻】【击】,【附】【带】【精】【神】

  【庞】【大】【无】【比】【的】【巨】【蛇】【并】【不】【是】【随】【随】【便】【便】【就】【躺】【着】【了】【呢】,【而】【是】【做】【出】【防】【御】【的】【姿】【势】【的】【呢】。 【摆】【放】【出】【这】【样】【的】【姿】【势】【出】【来】,【可】【以】【说】,【想】【要】【对】【它】【发】【动】【攻】【击】【的】【话】。 【对】【它】【造】【成】【的】【伤】【害】【很】【微】【小】【啦】,【相】【反】【一】【旦】【对】【它】【发】【动】【攻】【击】【的】【话】。 【庞】【大】【无】【比】【巨】【蛇】【都】【能】【够】【第】【一】【时】【间】【反】【击】【过】【去】,【绝】【对】【要】【被】【偷】【袭】【它】【造】【成】【伤】【害】【要】【大】【的】【多】。 【如】【此】【的】【情】【况】,【那】【可】【是】【非】【常】【复】

  【大】【源】,【即】【为】【天】【地】【的】【根】【本】,【出】【入】【大】【源】,【这】【是】【比】【感】【悟】【山】【川】【地】【理】【更】【接】【近】【天】【人】【合】【一】。 【不】,【那】【已】【经】【不】【是】【天】【人】【合】【一】【了】,【而】【是】【最】【高】【级】【别】【的】【与】【天】【道】【融】【合】。 【当】【然】,【想】【要】【做】【到】【这】【一】【步】【很】【难】,【普】【通】【人】【需】【要】【先】【观】【悟】【山】【川】【河】【流】,【随】【后】【领】【悟】【其】【中】【的】【规】【则】,【步】【步】【提】【升】,【最】【后】【才】【能】【到】【达】【与】【天】【地】【融】【合】【的】【状】【态】。 【而】【陆】【辰】,【则】【是】【一】【上】【来】【就】【是】【最】【高】【级】。

  【工】【作】【辞】【了】【后】,【经】【过】【一】【系】【列】【复】【杂】【的】【经】【过】,【荔】【栀】【决】【定】【去】【考】【个】【教】【师】【资】【格】【证】。 【这】【俩】【月】【的】【时】【间】【都】【在】【学】【数】【学】,【说】【出】【来】【你】【可】【能】【不】【信】,【虽】【然】【荔】【栀】【打】【算】【考】【的】【是】【初】【中】【教】【师】【资】【格】【证】,【但】【是】【高】【中】【数】【学】,【甚】【至】【大】【学】【高】【等】【数】【学】【都】【是】【考】【试】【内】【容】。【而】【且】【就】【算】【是】【这】,【也】【并】【非】【考】【试】【的】【全】【部】【内】【容】。。 【经】【过】【两】【个】【月】【的】【思】【考】,【荔】【栀】【确】【实】【也】【想】【过】【太】【监】,【换】【个】【马】【甲】九龙图库900tif【皇】【帝】、【公】【主】、【收】【拾】【好】【回】【来】。 【霍】【青】【嬅】【和】boss【也】【没】【走】,【戏】【没】【结】【束】。 【公】【主】、【还】【有】【那】【些】【女】【人】,【一】【个】【比】【一】【个】【娇】【花】。 【娴】【静】【时】【如】【娇】【花】【照】【水】,【行】【动】【处】【似】【弱】【柳】【扶】【风】。【合】【一】【块】【就】【是】【水】【性】【乂】【杨】【花】。 【女】【人】【就】【那】【些】【节】【目】,【抚】【琴】【跳】【舞】。 【一】【个】【美】【人】【跳】【着】【跌】【倒】【在】【地】,【嘤】【嘤】【一】【声】,【就】【跌】【在】【王】【圣】【师】【附】【近】。 【王】【圣】【师】【像】【打】【盹】。 【又】【一】

  【从】【监】【视】【器】【中】,【覃】【夜】【和】【岚】【月】【等】【人】【可】【以】【看】【到】,【对】【方】【的】【人】【几】【乎】【全】【都】【进】【入】【了】**【当】【中】,【只】【是】【天】【魔】【却】【一】【直】【没】【有】【出】【现】,【显】【然】【他】【还】【在】【观】【望】【着】【这】【场】【战】【斗】。 “【各】【位】【前】【辈】,【接】【下】【来】【天】【魔】【那】【里】【就】【只】【有】【靠】【你】【们】【了】,【毕】【竟】【他】【似】【乎】【并】【不】【想】【加】【入】【冲】【击】**【的】【人】【员】【当】【中】【去】。”【面】【对】【天】【魔】【的】【不】【动】,【覃】【夜】【只】【好】【笑】【着】【看】【向】【自】【己】【身】【后】【的】【九】【个】【真】【神】【境】【强】【者】【说】【道】。

  【楚】【天】【都】【市】【报】11【月】10【日】【讯】(【记】【者】【廖】【仕】【祺】 【通】【讯】【员】 【裴】【霓】【裳】)【以】【为】【自】【己】【只】【是】【近】【视】,【强】【强】(【化】【名】)【瞒】【下】【了】【自】【己】【的】【病】【情】,【结】【果】【在】【医】【院】【检】【查】【出】【青】【光】【眼】,【目】【前】【左】【眼】【失】【明】,【右】【眼】【只】【余】【二】【分】【之】【一】【视】【野】,【看】【人】、【看】【东】【西】,【只】【能】【看】【见】【中】【心】【部】【分】,【旁】【边】【的】【无】【论】【如】【何】【都】【看】【不】【到】。

  【先】【不】【要】【订】【阅】,【明】【天】【修】【改】【后】【再】【订】。 【先】【不】【要】【订】【阅】,【明】【天】【修】【改】【后】【再】【订】。 【先】【不】【要】【订】【阅】,【明】【天】【修】【改】【后】【再】【订】。 【先】【不】【要】【订】【阅】,【明】【天】【修】【改】【后】【再】【订】。 【先】【不】【要】【订】【阅】,【明】【天】【修】【改】【后】【再】【订】。 【先】【不】【要】【订】【阅】,【明】【天】【修】【改】【后】【再】【订】。 【先】【不】【要】【订】【阅】,【明】【天】【修】【改】【后】【再】【订】。 【先】【不】【要】【订】【阅】,【明】【天】【修】【改】【后】【再】【订】。 【先】【不】【要】【订】【阅】,【明】【天】【修】

  【五】【千】【名】【左】【右】,【一】【百】【名】【左】【右】,【听】【起】【来】【就】【是】【一】【些】【大】【概】【词】【可】【确】【实】【那】【么】【刺】【耳】。 【他】【钟】【离】【昧】【已】【经】【很】【努】【力】【了】,【结】【果】【才】【是】【一】【个】【二】【流】【高】【手】,【没】【有】【想】【到】【在】【这】【里】【只】【是】【排】【到】【了】【几】【千】【名】,【想】【起】【来】【钟】【离】【昧】【有】【一】【些】【沮】【丧】。 【这】【里】【才】【是】【强】【者】【集】【中】【训】【练】【营】,【深】【深】【地】【吸】【了】【一】【口】【气】,【钟】【离】【昧】【觉】【得】【这】【也】【是】【机】【会】,【因】【为】【只】【有】【这】【样】【的】【压】【力】,【他】【才】【会】【变】【得】【更】【强】,【不】【管】【出】

           网站地图 | TAG标签 | Rss

  版权所有:BC杀手 2012-2019
地址:江西省南昌市安徽省明光市羊坊店西路5号 邮编:100038